I have been so caught up by life that even though Takahata has always been one of my favourite directors, I was not aware of this heartfelt eulogy for him by Hayao Miyazaki during his funeral in 2018. I love them both, in fact, just as many fans of Japanese animation, but whereas Miyazaki has always been the "Anime God", especially among Western fans, Takahata's subdued and seemingly more traditional style has been appreciated, in my opinion, not as much as Miyazaki's more bombastic and "Westernized" masterpieces. I love every single films by Takahata and am always able to find solace, relatability, and calmness in his films - something that is a little more difficult to find in Miyazaki's, except for those more personal to him like "The Wind Rises" or "Totoro" (this is not a criticism of Miyazaki's everlasting masterpieces, I also love them all, but they are just of different flavour than Takahata's).
Back to the eulogy. I love this one so much since it really is a demonstration of not only the love and respect that Miyazaki has always reserved for Takahata (even until now I am sure), but is also a symbol of their support and care for each other - the very important ingredients that led to the everlasting values of their works, and something that was beautifully portrayed in the lovely documentary "The Kingdom of Dreams and Madness". The relationship between Miyazaki and Takahata, as narrated by this eulogy, really is an emotional and uplifting story that I want to keep for myself on the windy road ahead.
Also, many thanks to the original posters, since without them, I would have never been aware of this eulogy.
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https://www.onegai-kaeru.jp/2018/05/15/farewell-speech-for-isao-takahata-by-hayao-miyazaki-full-english-translation-on-15-may-2018/
Not sure why he was nicknamed "Paku-san" really but he was not a morning person. As we started working for Toei Animation, he always came to our office almost late. (In the morning people saw) he often gobble some bread after putting his time card (into a punch machine ) and drink water directly from the tap. The sound he made by eating the bread which is in a Japanese onomatopoeia "paku paku" is rumored to be the reason of his nickname.
It is not an (official) memorial message but today I will read what I wrote.
I thought "the" Paku-san would live until 95 years old. "That" Paku-san passed away. This made me feel that I have not much time left.
9 years ago our medical doctor called me and told me "if you are his friend, you must tell Mr. Takahata to stop smoking.". His voice was serious and even scary. Because the doctor was so serious I and Mr. Suzuki (Studio Ghibli producer Toshio Suzuki ) got him to sit together over a table. It was the first time that I talked to him in that serious manner. "Please stop smoking, Paku-san", said I. "To continue your job, please stop (smoking)", said Mr. Suzuki. I expected him to come up with numerous excuses and counter arguments but he simply said "thank you and I will stop smoking." and nodded. And Paku-san really quit cigarette. I deliberately smoked near him (to test his determination). He said "Nice smell but I do not feel like smoking at all". He got me! That convinced me even more that he was destined to live till 95 years old.
In 1963 when Paku-san was 27 years old and I, 22, we met for the first time. I still remember very well the day we talked for the first time. In dusk at a bus stop I was waiting for my bus to Nerima. There came a young man walking towards me on the road still partially wet after the rain. "I heard that you are gonna visit Mr. Takuo Segawa." said he. He looked gentle and smart. That was the moment I met Isao Takahata later as known as Paku-san. I wonder why I can remember so clearly; even it was 55 years ago, the memory (of that day) is still vivid. I can still see his face as he was at that time.
I met Paku-san again after I was pushed to be an executive member of the labor's union of Toei Animation. Paku-san was the vice chairman ( of that union). Under the pressure, my hard days started. I wanted to almost throw up under that heavy pressure. Despite of that (hardship), I slept over in the labor's union office (which was a kinda shack). And I and Paku-san talked a lot as if there would be no tomorrow... on so many kind of things, esp on our jobs.
We were not satisfied with our jobs (that time). We wanted to do a job further from and deeper than what we were doing then and something we could be proud of. (We talked about) what we should create. Paku-san's knowledge was so great and broad. I felt so happy that I could meet a wonderful person like him.
The production ( of " The Great Adventure of Horus, Prince of the Sun " as Takahata worked as its screen writer) did not proceed well. The staff were not familiar with (Takahata's) new style. The work progress was so slow that the project became an headache to the entire company. Paku-san was an incredible persistent guy. Even as the company's top management tried to change his direction with, sometimes, threats and, sometimes, begging, he did not change. I just by myself worked over weekends with no AC in the summer drawing the sketches for the background pictures on the big sheets of paper. The agreement with the labor's union did not allow the work on weekends but I did not care. It was so simple. I just did not punch the time card for the weekend work.
After I watched the first version (test view of the Great Adventure of Horus) I could not move. It was not that I was moved but I was totally taken by the surprise. I was aware of the dispute over the scene of "Mayoi no Mori /the Enchanted forest" as to if it should have been edited out or not. Paku-san negotiated with the company board patiently and he had no choice but had to agree on the number of the animation slide and the number of the work day to the deadline. Of course, he could not keep the agreement. More slides and more days cost. Every time he broke the agreement, he had to write the apologetic letter (to the company). I wonder how many (apologetic) letters he had to write. I was also fully tied up with my own job and I could not help him in that tough fight.
I watched the scene with Hilda in the Enchanted forest at the first version test view. The overwhelming expression and the pictures! And so much love! I came to understand for the first time that this was what Paku-san wanted to create. He completed the work. (Then ) it was in year 2000, 30 years after the release (of that film), that Paku-san suggested having a gathering inviting the film people. From the person in charge (of the Great Adventure of Horus), the board members, the managers who were pressed between the people on the work field and the company top members in that company (Toei Animation), production manager, illustration staff, the females who worked on the background and colouring to the staff in film-shooting, recording and editing, so many people came. The film was not financially successful but nobody cared about it any longer.
Paku-san, we lived so fully that time. The way Paku-san lived was exactly how we lived. Thank you, Paku-san. I will never forget about you, Paku-san, who talked to me at the bus stop after the rain.
